{"id":512389,"date":"2026-05-25T12:26:36","date_gmt":"2026-05-25T10:26:36","guid":{"rendered":"https:\/\/www.unipi.it\/news\/assemblare-la-roma-antica-uno-studio-svela-i-segreti-degli-architetti-e-degli-scultori-romani\/"},"modified":"2026-05-29T15:16:50","modified_gmt":"2026-05-29T13:16:50","slug":"assembling-ancient-rome","status":"publish","type":"news","link":"https:\/\/www.unipi.it\/en\/news\/assembling-ancient-rome\/","title":{"rendered":"\u201cAssembling Ancient Rome\u201d: a study reveals the secrets of Roman architects and sculptors"},"content":{"rendered":"<p>How were the great sculptures and architectural structures of ancient Rome assembled, repaired and secured? This question lies at the heart of the <strong>HARMOGE<\/strong> project (<em>Hellenistic and Roman Methods of Joining. Exploring the Joins and Attachments of Freestanding Sculpture and Architectural Decoration (2nd century BCE \u2013 3rd century CE)<\/em>), <strong>funded by the Italian Ministry of University and Research<\/strong> within the framework of the PRIN programme (<em>Projects of Significant National Interest<\/em>).<\/p>\n<p>The project brings together the <strong>University of Pisa<\/strong>, <strong>Ca\u2019 Foscari University of Venice<\/strong> <strong>and the Institute of Chemistry of Organometallic Compounds of the National Research Council (CNR-ICCOM), in partnership with the National Roman Museum<\/strong>.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-511751 aligncenter\" src=\"https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2048\" srcset=\"https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-1-scaled.jpg 2560w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-1-300x240.jpg 300w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-1-1024x819.jpg 1024w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-1-768x614.jpg 768w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-1-1536x1229.jpg 1536w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-1-2048x1638.jpg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/p>\n<p>The research <strong>focuses on the technologies and materials used to assemble, secure and restore marble statues and other artworks in the Hellenistic and Roman world<\/strong>, covering the period from the 2nd century BCE to the 3rd century CE. At the centre of the investigation are <strong>metal joints<\/strong>, connection elements identified in sculptures, architectural decorations and funerary monuments, which provide direct evidence of ancient construction and conservation practices.<\/p>\n<p>The study benefited from the extraordinary variety of artefacts preserved across the different sites of the National Roman Museum. During the first campaign of analyses, the research team examined works of exceptional importance, including the <strong><em>Discobolus of Castel Porzian<\/em><\/strong><em>o<\/em>, the <strong><em>Sleeping Hermaphroditus<\/em><\/strong>, and numerous imperial portraits, as well as a rich architectural repertoire including columns, capitals and decorative architectural elements that preserve valuable traces of ancient construction techniques.<\/p>\n<p><img decoding=\"async\" class=\"size-full wp-image-511753 aligncenter\" src=\"https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-2-scaled.jpg\" alt=\"\" width=\"2048\" height=\"2560\" srcset=\"https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-2-scaled.jpg 2048w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-2-240x300.jpg 240w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-2-819x1024.jpg 819w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-2-768x960.jpg 768w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-2-1229x1536.jpg 1229w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-2-1638x2048.jpg 1638w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><\/p>\n<p>To analyse the materials, researchers employed state-of-the-art non-invasive techniques: <strong>X-ray fluorescence (XRF)<\/strong>, carried out directly on the artworks using a portable Bruker Elio spectrometer, and <strong>Raman spectroscopy<\/strong>, allowing researchers to characterise the composition of corrosion layers and identify forms of organic degradation.<\/p>\n<p>\u201cFor the first time,\u201d explain <strong>Anna Anguissola<\/strong> and <strong>Luigi Sperti<\/strong>, Professors of Greek and Roman Archaeology at the Universities of Pisa and Ca\u2019 Foscari University of Venice respectively, \u201ctechniques such as construction in separate parts and assembly methods are the focus of a large-scale initiative integrating the expertise of different institutions and scholars. The sculptural and architectural heritage we can study thanks to our collaboration with the National Roman Museum is representative of a highly varied and extremely important body of material, because it allows us to delve into the heart of ancient Rome.\u201d<\/p>\n<p>A central element of the project is the archaeometric analysis carried out by the team from the CNR-ICCOM of Pisa. \u201cThrough instruments such as XRF,\u201d explains <strong>Stefano Legnaioli<\/strong>, \u201cwe will be able to build an initial database of the pins used by Roman sculptors, architects and restorers, and investigate their archaeological significance through newly acquired data\u201d.<\/p>\n<p><img decoding=\"async\" class=\"size-full wp-image-511756 aligncenter\" src=\"https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-3-2-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2048\" srcset=\"https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-3-2-scaled.jpg 2560w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-3-2-300x240.jpg 300w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-3-2-1024x819.jpg 1024w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-3-2-768x614.jpg 768w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-3-2-1536x1229.jpg 1536w, https:\/\/www.unipi.it\/wp-content\/uploads\/FIG-3-2-2048x1638.jpg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/p>\n<p>\u201cThe National Roman Museum is honoured to collaborate on a research project dedicated to the study of the technologies and materials used in antiquity for the assembly, securing and restoration of statues and stone artefacts,\u201d says <strong>Federica Rinaldi<\/strong>, Director of the Museum. \u201cThis initiative represents an important opportunity to deepen our understanding of Roman artistic techniques, contributing to a better comprehension not only of construction processes, but also of conservation practices and the solutions adopted by ancient craftsmen. Within this collaboration, the Museum has made its collections of statues, numerous architectural decorative elements and other artefacts available to scholars, offering a privileged context for the direct analysis of materials and techniques. The National Roman Museum reaffirms its commitment to promoting scientific research by fostering dialogue between museums and academia, also with a view to enhancing cultural heritage.\u201d<\/p>\n<p>The project <em>HARMOGE. Hellenistic and Roman Methods of Joining. Exploring the Joins and Attachments of Freestanding Sculpture and Architectural Decoration (2nd century BCE \u2013 3rd century CE)<\/em> (2022AS5M9E) is funded by the Italian Ministry of University and Research within the framework of the PRIN 2022 programme.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The HARMOGE project is funded by the Italian Ministry of University and Research and conducted by a research team from the Universities of Pisa, Venice Ca\u2019 Foscari and the CNR-ICCOM, in collaboration with the National Roman Museum<\/p>\n","protected":false},"featured_media":511752,"menu_order":2,"template":"","format":"standard","meta":[],"tag-notizie-persone":[],"tags_news":[2306],"categorie":[159],"class_list":["post-512389","news","type-news","status-publish","format-standard","has-post-thumbnail","hentry","tags_news-department-of-civilisation-and-form-of-knowledge","categorie-unipinews-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO 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